Fantasy Elements in 'The School for Good And Evil'
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.

The twin sons of SF novelist Herbert Gold, filmmaker Ari and musician Ethan collaborate on this 'live cinema' musical drama, 'featuring The Brothers Gold and the People of San Francisco'. It begins with one extroverted brother running late to join his introverted counterpart for an audition of sorts at Vesuvio’s, across Jack Kerouac Alley from City Lights Bookstore. Soon accompanied by a third singer (Lara Louise), these quarrelsome siblings move on to a couple of equally famed local watering holes. They clomp up Telegraph Hill, engage in minor social intrigue, then finally visit Dad on Russian Hill.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.
Personalities clash and tempers fume in a family-run Chicago restaurant
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.