Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.



Clement Virgo’s feature Brother asks audiences to consider, who do you need in your life to make it whole? The emotionally gripping adaptation of David Chariandy’s novel deconstructs ideas of safety and fear in 1990s Scarborough. Two brothers, Michael and Francis (played by Lamar Johnson and Aaron Pierre), navigate coming of age in an environment that emphasizes the dichotomy between self-preservation and togetherness. The boys and their working single mother Ruth (Marsha Stephanie Blake) have a complicated relationship with their neighbourhood. Their community connects them to people who embrace and understand them, like Aisha (Kiana Madeira) but it can also act as a combat zone. Older brother Francis is forced to don an immovable, protective persona knowing that gentle Michael doesn’t possess those same qualities. Francis’ stoicism may be interpreted as fearlessness at first, but it is soon made clear by Pierre’s nuanced performance that his character is not impervious to pain. In his father’s absence, he is thrust into a head of the household role, and soon he leans on his chosen family to finally prioritize his own fulfillment. Vigro delves into the rift that is created within an interdependent family when one member steps away, or is lost.

Sons of Caribbean immigrants, Francis and Michael face questions of masculinity, identity and family amid the pulsing beat of Toronto's early hip-hop scene. A mystery unfolds when escalating tensions set off a series of events which changes the course of the brothers’ lives forever.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
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