Brother 

In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.

Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.

Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.

The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.