I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

Today it's a symbol of strength and vitality. 135 years ago, it was a source of controversy. This documentary examines the great problems and ingenious solutions that marked the construction of the Brooklyn Bridge. From conception to construction, it traces the bridge's transformation from a spectacular feat of heroic engineering to an honored symbol in American culture.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.