'Carol' Movie Review: A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

Ever since Pam Cheney (Cheryl Ladd) lost her baby during labor, she has been struggling with depression. She is not only supported by her loving, but hard working husband Sean (Robert Desiderio), but also by her friends Ella (Polly Draper) and Terry Sabin (D. David Morin), who have also lost a baby at age three. One year after labor, Pam decides to finally take a proposal to adopt a toddler. Going through official agencies proves unsuccessful, partly due to Pam's age, partly due to the growing demand of adoption. She is advised to take care of an orphaned teenager instead, but Sean refuses this option.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.