‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

To mark the centenary of Benjamin Britten's birth, Britten’s Endgame explores the composer's creativity in the face of death. Those closest to him watched anxiously as he raced to complete his final opera, Death in Venice, in defiance of medical advice, tackling an edgy subject with many resonances in his own life. His eventual heart operation left him incapacitated and prematurely old and frail, yet somehow he rediscovered his creative urge to produce two late masterpieces. This is a rich and poignant film about Britten’s final years, and the impact of what Peter Pears called 'an evil opera'.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Emily and Stephanie are back... just add gin and drama.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.