A gorgeous young woman endures the wrath of her strict family and fellow villagers when she becomes pregnant out of wedlock and refuses to name the father. 17 years later, her son strives to learn the truth about his birth and the mystery surrounding the disappearance of his long-missing mother.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
Like most young people, Leviticus is imperfect. But I love it anyways.
