An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

The complex and beautiful hieroglyphic script of the ancient Maya was until recently one of the last great undeciphered writing systems. Based on the best-selling book by Michael Coe, called by the New York Times "one of the great stories of 20th century scientific discovery", Breaking the Maya Code traces the epic quest to unlock the secrets of the script across 200 years, nine countries and three continents.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
This Disney Pixar movie is based on the elements air, fire, water, and earth.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.