‘RUSTIN’: "Unsung" Is An Understatement
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement

Carol Christine Hilaria Pounder (born December 25, 1952), known professionally as CCH Pounder, is a Guyanese-American film and television actress. She's known for her TV roles as medical examiner Dr. Loretta Wade on the series NCIS: New Orleans (2014-2021), District Attorney Tyne Patterson on Sons of Anarchy (2013–2014), Irene Frederic on Warehouse 13 (2009–2014), Captain Claudette Wyms on the FX series The Shield (2002–2008), and Dr. Angela Hicks on the medical drama series ER (1994–1997). She's known for her film roles as Mo'at in Avatar and Avatar: The Way of Water, Dorothea in The Mortal Instruments: City of Bones, Sister Abigail in Orphan, Detective Margie Francis in End of Days, Hollis Miller in Face/Off, Victoria Hendrix in Sliver, Dr. Garvey in Benny & Joon, Miss Prism in The Importance of Being Earnest, and Peaches Altamont in Prizzi's Honor. She is also the voice of Amanda Waller in the animated show Justice League Unlimited (2004–2006), a role that she has reprised in later DC Comics media. She has received four Primetime Emmy Award nominations for her roles in The X-Files, ER, The Shield, and The No. 1 Ladies' Detective Agency.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
An action film led by two queens, fighting for what they believe in through power and pain.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.