Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Brass Target poster

Brass Target (1978)

General George S. Patton died in a car accident in 1945. But was his death actually a murder. Is he targeted by Nazis angered by Germany's defeat? Or by Russians who knew that Patton had argued in favor of invading the Soviet Union towards the end of the war? Or is it because Patton is investigating the theft of a quarter of a billion dollars of Nazi gold? Or is it because his subordinate Colonels - the flamboyantly gay Colonel and his worried lover are fearful that he is getting too close to discovering the truth.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


General George S. Patton died in a car accident in 1945. But was his death actually a murder. Is he targeted by Nazis angered by Germany's defeat? Or by Russians who knew that Patton had argued in favor of invading the Soviet Union towards the end of the war? Or is it because Patton is investigating the theft of a quarter of a billion dollars of Nazi gold? Or is it because his subordinate Colonels - the flamboyantly gay Colonel and his worried lover are fearful that he is getting too close to discovering the truth.

Rating:PG
Genre:Action
Directed By:John Hough
Written By:Alvin Boretz
In Theaters:12/22/1978
Box Office:$5,011,158
Runtime:111 minutes
Studio:Metro-Goldwyn-Mayer

Articles You May Like


Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Nilufer Ozmekik