Bram Van Velde in his workshop then in his Grimaud garden in the company of a friend and during a walk in Paris in the snow, talking about his life and painting. Showing little interest for the Real, he makes an effort toward the invisible. He pays homage to his mother who lived with her children in the greatest poverty, talks of his meeting with Samuel Beckett and says that starting a painting is a great adventure. This portrait of Bram Van Velde (born in Holland in 1895) is illustrated by his drawings and watercolours.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
A throwback to the last months of the 20th century in this comedy film.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
