The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Amir, the benevolent ruler of Kalid, is dying, but there is hope. Freshly deceased, he is flown to the United States where Dr. Trenton transplants his brain into the body of a simpleton in a classic "assistant got the wrong kind of body" plot line. Dr. Trenton has a few nefarious plot twists of his own in mind, and then there's the thing with the dwarf and the women chained in the basement. It's up to Amir's friend Bob and wife Tracey to try and salvage this tale.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
American Fiction is a genuinely entertaining film with a few lessons.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.