Boy ('the helper') tells the story of an invisible member of our society, an illegal Filipino cleaner. He has no name. Moving continuously from one location to the other, he is living between being seen and being invisible, between his life with his boyfriend, an erotic dancer, and his role as financial provider of his family back home. All this changes when his boyfriend auditions for a dance-company and one of his employers commits suicide. A charming photographer shows interest in him. He wants him as a model for a photo series.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
