San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.

Sam has to find out who is abusing her best friend, Amber, when she shows up on her doorstep one night with a broken nose. Her first instinct points toward Amber's boyfriend, Griffin, who had previously interrupted her boxing session while looking for Amber. Before Sam could start a fight with him, her trainer named Reid (also Amber's dad) intervened and made Griffin leave. Sam drops off Amber back at her house after spending the night and as Sam is about to drive away, she sees Griffin approach the house. Amber meets him outside and tried to get him to go away, but Reid comes out and makes him leave again. Reid takes Amber inside and before Sam can drive away, she hears yelling from inside and goes to investigate. Upon entering the house, she sees Reid hit Amber and she intervenes. Reid and Sam get into a fight where Reid almost knocks her out, but Sam gets the upper hand and takes him down. Amber helps Sam stand up and takes her to a hospital.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
This movie will always resonate with queer people, for as long as queer people exist.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.