The Prius Boss is a sequel to the 2013 Micron Boss, which ends with the main characters of the previous film, Chicken, Baaya, and Bald, becoming friends. "Prius Boss" begins with Chicken and Baaya selling their micros and buying a Prius and taking a taxi. But a group of car thieves receives an order to steal 50 Priuses, and the adventure begins when those thieves steal Chicken and Baaya's Prius.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
