Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

When her mother suddenly dies, Sonja is thrown into tumult. Dealing with early-twenties existential angst and a sense of responsibility for her teenage younger sister Emma, she has a lot on her plate. Suddenly under the care of her controlling grandma and—as a young woman living with Down syndrome—constantly faced with a society that judges what she’s capable of, Sonja is desperate to be herself and take charge of her own life. When a chance encounter with the charismatic Hakim leads her to a krump class, Sonja discovers a life-changing outlet for expression.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.