“Boy”
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.

Bosko is a doughboy in the Great War. Bullets and bombs are everywhere. (A bomb even blows up the title card.) Bosko and his fellow infantrymen are hardly safe in their trench. Bosko is happily eating from a pan full of beans when a bomb hits the pan and destroys his meal. Bosko misses Honey; he pulls out her picture and kisses it. A cannonball tears through it, making her head a gaping hole. Now Bosko is angry. He vows revenge but the moment his helmet appears above the trench, it’s hit with dozens of bullets, knocking him back down. Another soldier briefly cheers him up with harmonica music. Bosko gets his chance to be a hero when his buddy swallows a cannonball.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?