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This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch.  Maybe watch the last twenty minutes with your hands in front of your eyes. 

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.