The year 2006 marks the 40th anniversary of the release of "My Brother Makes The Noises For the Talkies , the first record by The Bonzo Dog Doo-Dah Band. On January 28th 2006 Classic Rock Productions Ltd presented a very special evening celebrating the music and achievements of the legendary Bonzos. The part of the late great and sorely missed Vivian Stanshall was performed variously by Messrs Stephen Fry, Adrian Edmondson, Phill Jupitus and Paul Merton, making this the most exciting evening since the Secret Policeman s Ball. For the first time since the group broke up in the early seventies a British stage once again resounded to the inspired flights of lunacy of the Bonzos favourites performed live. An evening dedicated to the surreal stage presentation of the highlights of the music of the Bonzos, including all of the hits, which have built a lasting musical legacy.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
'Hawkeye' episode five features Clint facing his sins, Kate having dinner with an assassin, and the reveal of the long-awaited [SPOILER].
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
