When three sisters inherit a cabaret named Bonne Soirée, two of them are thrilled with the influx of money it grants them but the third sister, who is religious, advises them to get rid of it. The two of them refuse to lister and start working in the cabaret against their sister's advice.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
Friendships are tested when two girls have a crush on the popular boy at school.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
