
Nastya was ten when a missile fired by Russian terrorists on New Year's Eve changed her life forever. It took her father's life and destroyed their house. Nastya's school is only in 500 meters from the front line. War has become commonplace. Just a part of the landscape. The only means for Nastya's family to survive is the scrap metal they scavenge while under fire. Senya is seven years old. He is a first-grader. In the seven years of his life, he has seen seven years of war and not a day of peace. Senya likes to climb on the boney pile to watch the sunset. His stepfather dig graves to earn money for a new suit and backpack for Senya. This is a film about the children who live in the war zone in Ukraine.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
Step deep into the 21st century and discover the complexities of artificial combat soldiers.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.