“The Social Reckoning” Fails to Reckon with Society
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.

Jamie (Taylor Olson) works a wood processor, clear-cutting for pulp in small-town Nova Scotia. At the end of each shift, he walks through the destruction he has created looking for injured animals and rescues those he can. Adapted from a play by Nova Scotian author Catherine Banks, Bone Cage is an impressive first feature from Halifax actor/filmmaker Taylor Olson that sensitively excavates the tragedy of how young people in rural communities, employed in the destruction of their environment, treat the people they love at the end of their shift.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.