"Le Bonheur" and the Feminism of Varda
Effortlessly beautiful and surprisingly tragic.

Based on real event, Bolero is an excellent story of progressive recovery of a crime. The story surprises all the time, shows new connections, new possibilities, exposes new ideas and facts. It's possible to understand the film on more levels. It describes the position and all the feelings of victim's family, the police work as well as the impact of the crime on it's malefactors. It also touches the topic of moral decay of the descendants of rich, high-posted families. In addition to this, the power of the storyline is accentuated by the quality of the artistic treatment of the whole piece.
Effortlessly beautiful and surprisingly tragic.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.