Guillermo del Toro's Pinocchio
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

Somewhere in Rio Grande do Norte's countryside, Brazil, the wealthy farmer Elói Dantas (Álvaro Guimarães) decides to increase his patrimony even further by exploiting ores. To do this, he tries to appropriate the small site of Antônio Vaqueiro (José Marinho). Desperate, Antônio rushes to the aid of the gypsy healer Maria dos Remédios (Luiza Maranhão) and the poet and dreamer Tião Poeta (Lenicio Queirogo) to face the greed of Elói.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.