We Don’t Need Another Hero: The Bonkers Post-Apocalypse of “Beyond Thunderdome”
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.

After a whirlwind online romance, a lonely British woman (Charlotte) comes to Kenya to track down her fiancé, only to find everything is a lie. Things take a turn for the worse when all her belongings are stolen. However, she is helped by a humble boda boda driver (Jabari), who gives her a place to stay in his crowded home in Kaloleni. As the two work together to find her fiancé and Charlotte bonds with his busy family, Jabari and Charolotte start to fall in love. But they've both been burnt before, so what makes this time different?
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.