Demons and Hair Cuts: A Movie Review of “Sweeney Todd”
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.

Bobby G. lives life on the edge in this real, raw New York street drama. Bobby is a small-time coke dealer, always on the hustle but rarely successful. He lives in Hell's Kitchen with his Puerto Rican girlfriend Lucy, who makes ends meet as a prostitute. A typical day finds Bobby selling $20 bags to neighborhood locals and passing cars. A yuppie kid looking to score a kilo of coke approaches him to broker a deal and Bobby sees the opportunity of a lifetime to make some real money. His rough days may just be over. With the tidy profit he could even leave the business. Playing out of his league, Bobby arranges to get the kilo from Astro, a fearsome, high-level drug dealer. Though Lucy announces that she's decided to go back to Puerto Rico and pleads with him to make a fresh start too, Bobby is sticking to his deal and isn't going anywhere now, convinced he'll be 'livin' large in a matter a' days...
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.