Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

Cheng Yu, the lonely sojourner in the bustling city, goes in and out of a different empty house every day, prying into the city's secrets. He doesn't know why he's here, nor does he know where he'll go tomorrow. By chance, he saw the eighteenth-string actress Hu Mengya in an online drama, but never imagined that in the next seventeen days he would experience the three most important points in his life.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.