Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Bláznova smrt poster

Bláznova smrt 

At the center of the crime story is the very large Kremp family, living in the family villa with other relatives and a subtenant. The parents had four adult children, two sons and two daughters, one of whom recently died. The investigation focuses on the recent death of their son Jan. The young man was considered the family "fool", whom no one except his mother liked, because he played various mischievous tricks on everyone. However, his death, as Captain Exner investigates, was not an unfortunate accident, but a murder. Who could have been interested in his death? Was the murderer someone from the immediate family? Captain Exner is looking for a motive...
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


At the center of the crime story is the very large Kremp family, living in the family villa with other relatives and a subtenant. The parents had four adult children, two sons and two daughters, one of whom recently died. The investigation focuses on the recent death of their son Jan. The young man was considered the family "fool", whom no one except his mother liked, because he played various mischievous tricks on everyone. However, his death, as Captain Exner investigates, was not an unfortunate accident, but a murder. Who could have been interested in his death? Was the murderer someone from the immediate family? Captain Exner is looking for a motive...

Rating:
Genre:Crime
Directed By:Zdeněk Kubeček
Written By:Vladislav Čejchan
In Theaters:
Box Office:

Runtime:

Studio:Československá televize Praha

Articles You May Like


The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik