'65' is the Latest Dinosaur Flick in a Jurassic World
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"

The film is made up of two stories: In Block 1 the story of Manuel, a lonely and gray man, whose attitude distances him from all those around him, even from his own son. In the midst of routine and alcohol, the hope of a new love arises. This is how Norma, a bar bartender, enters his life without realizing it. In Block 2, the Aristiguetas, an upper-class Venezuelan family, have moved, economically less due to the failed decisions of their father. Alejandra, the oldest of the Aristigueta children, has lived in New York for some years, ignoring the reality of her family and her country. While for Alejandra the trip back to Venezuela becomes an encounter with herself, assuming control of her family's destiny, her brother Francisco explores life in the alleys of the neighborhood.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.