After he and his wife are murdered, marine Ray Garrison is resurrected by a team of scientists. Enhanced with nanotechnology, he becomes a superhuman, biotech killing machine—'Bloodshot'. As Ray first trains with fellow super-soldiers, he cannot recall anything from his former life. But when his memories flood back and he remembers the man that killed both him and his wife, he breaks out of the facility to get revenge, only to discover that there's more to the conspiracy than he thought.
David S. F. Wilson
Director
Vin Diesel
Ray Garrison / Bloodshot
Eiza González
KT
Sam Heughan
Jimmy Dalton
Toby Kebbell
Martin Axe
Talulah Riley
Gina Garrison
Lamorne Morris
Wilfred Wigans
Guy Pearce
Dr. Emil Harting
Jóhannes Haukur Jóhannesson
Nick Baris
Alex Hernandez
Tibbs
Siddharth Dhananjay
Eric
Tamer Burjaq
Mombasa Gunman
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Pose tells stories of queer joy and love in a time of intense hate and sadness.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.