The Vampire Boy in Liar, Liar, Vampire
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.

Juliet Corman, instructor for a survival training company invites her sister Holly along to the first course in a new centre in Kent woodland, unaware that waiting for them is a killer experimenting with ancient Celtic methods of human sacrifice.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.