Two rival brothers vie for the same woman against the backdrop of peasant revolts in their Greek homeland. In Thessaly in 1907, a man incites the poor farmers to take over the land they work for the benefit of the landowners. Odysseus (Nikos Kourkoulos), the son of one such landowner (Manos Katrakis), refuses to clash with the farmers.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
The film is a powerful narrative encompassing a theme that many people can identify with.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
