The Last of Us is Flipping the Script For Game Adaptations
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

A look behind the scenes at one of the more controversial thillers of the 90's, and the one that made Sharon Stone a top-name star. Includes interviews with Stone and footage of some of the hard work that went into making the movie, as well as some discussion of the problems the makers had to deal with, including protests from groups who wanted the film changed or simply abandoned.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.