Gemini Man Review: A Poor Utilization of a Promising Cast
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.

Seeking the whereabouts of international gangster Nick Randall, the US State Department contacts Scotland Yard, as his girlfriend, Angela Booth, is currently in a British prison. Angela has refused to give Nick up to the law, so the combined authorities arrange for Angela to escape, aided by stoolie Gran' Ramsey who is at the same prison. The police will then follow Angela to Nick. Gran' stages the getaway, and the two women, accompanied by a third convict, Marguerite, whose prison-born baby is about to be turned over to welfare authorities. It is up to Gran' to keep the police informed of Angela's movements without being detected by the escapees, until Angela contacts Nick. This film is a reworking of principal footage from the UK film WOMEN WITHOUT MEN (1955), q.v., which, with added new footage (including scenes with original star Beverly Michaels), significantly revises the plot and central characters from a story about a wrongly imprisoned waif to one about a gangster's moll.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
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