Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Born totally blind, Christella Garcia fights heavyweight judo by feel—reading opponents through grip, breath, and tremor. Raised wrestling cousins in New Mexico, she found “freedom” on the mat; now in Sacramento she travels to Denver to sharpen under Paralympic legend Scott Moore with coach Heidi Moore (Pan Am bronze) and absorb grip craft from Olympic medalist Edward Liddie. The grind is nonstop. An ACL tear and kneecap arthritis force a brace and a training pivot: swims she hates but guts out with her partner Joe, strength with coach Miguel Sandoval, hard rounds at Team Sacramento Judo, and endless travel that never quite replicates her long-levered, top-ranked rival. In Para judo’s J1 class—where every bout starts in the grip—Christella bends matches by touch, tempo, and pace. Paris tests everything. She blasts a first-round win, hits the world No. 1, resets fast, and fights through four brutal minutes for bronze. Home brings tears, surgery talk—and a new target: Los Angeles 2028.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
A throwback to the last months of the 20th century in this comedy film.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.