The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

To mark the 70th anniversary of the first 7A in Fontainebleau, Seb Berthe and Hugo Parmentier have set themselves quite a challenge: to complete 100 7A boulders on a single day, linking the crags by bike or on foot. An extraordinary journey of over 80 km through the magic forest! And an extraordinary feat when you consider how demanding these rocks are. Crimps, climpers, falls, slips but above all a magnificent human adventure, sublimated by the poetry of director Jérôme Tanon. Major.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
This is not a story of oppression but a story of liberation.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.