Arthur Prentiss-Wilcox (Kevin J. O'Connor), one of the World's wealthiest men, is also one its most eccentric. For starters, he is never seen in public without his closest confident – Toby – the doll that was given to him for his sixth birthday and is rumored to be responsible for the death of dozens. Despite his infamous reputation, a young gay couple, Calvin and Edward, become ensnared in Arthur's world with horrifying consequences.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
