Women Are Just Convenient Puzzle Pieces in “Animals”
A deer caught in the headlights is the perfect metaphor for Animals.

Always treacherous to navigate, the high school social scene is made even more so if you don't look like everyone else. Such is the case for half-black/half-Latino big boy Stefan Daily. Luckily for him, he's not the only outcast in this dark comedy.
A deer caught in the headlights is the perfect metaphor for Animals.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.