
Blackhearts takes a fresh look at the notorious Norwegian black metal music scene - but from a striking new angle. It travels to South America, Europe and the Middle East to follow three black metal die hards who hail from extreme religious and political backgrounds.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.