Antoni Krauze reminds one of the darkest history of the cards with PRL. Spectacular reconstruction of the dramatic events in Gdynia, ended a brutal pacification of demonstrators by troops and militia in 1970.
Antoni Krauze
Director
Marta Honzatko
Stefania Drywa
Michał Kowalski
Brunon Drywa
Piotr Andruszkiewicz
Romek Drywa
Wiktoria Kraszewska
Mariola Drywa
Zofia Smagacka
Gabrysia Drywa
Marta Jankowska
Irena Drywa
Cezary Rybiński
Leon Drywa
Wojciech Pszoniak
Władysław Gomułka
Piotr Fronczewski
Zenon Kliszko
Wojciech Tremiszewski
Mr. Bolek
Witold Dębicki
Mieczysław Moczar
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
A direct fall into the white savior narrative
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.