Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

After a childhood prank by his brother Angus causes Henry to develop a phobia of sheep, he must step up to the onslaught of a genetically-mutated man-eating flock with the help of his friend and a young environmentalist.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.