
Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department