Kazuo "Gaira" Komizu's sexually charged, delirious, and extremely low budget movie, has two men and two women trapped in an elevator, indulging in their growing psychotic fantasies about what they would do to each other.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
‘The Bear’ Season 2 has all the right ingredients for both comedy and drama.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
