Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Black Magic Wizard poster

Black Magic Wizard 

Snake lady Dewi kills a woman and steals her baby to be a companion for her own child. She returns to her form as a snake after she hands the babies to her shaman husband. When the babies, Sari and Maya, are adults, they are taught black magic and Sari is manipulated by her father to commit terror and murder in the village.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Snake lady Dewi kills a woman and steals her baby to be a companion for her own child. She returns to her form as a snake after she hands the babies to her shaman husband. When the babies, Sari and Maya, are adults, they are taught black magic and Sari is manipulated by her father to commit terror and murder in the village.

Rating:
Genre:Horror
Directed By:A. Harris
Written By:
In Theaters:
Box Office:

Runtime:87 minutes
Studio:

Articles You May Like


"Possession Of Mara" (2025) Indie Film Review-A genre-bending, abuse-addressing effort that defies mainstream normalcy

Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.

Kirk Fernwood

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger