Cartoon Saloon: An Irish Animation Studio that Needs More Attention
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.

This award-winning feature examines a minority group that is discounted and often ignored by mainstream media. Sharing a common past, many African Americans and Native Americans have combined to create a unique culture that has meshed the traditions and fine heritage of both. Little known, little documented, and often marginalized, this group has become all but invisible at the dawn of the new millennium. James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
This theatrical sequel based on the PAW Patrol series features voice actors of color in this action-packed adventure.
Growing up with a lot of siblings, young Beth felt ignored her immediate family. Uncle Frank made her feel seen, heard, and accepted.
Whether you like cinema classics, sketch comedy, or science fiction, HBO Max has something for you! Check out our top picks for diversity and representation.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.