Pearl Review - Mia Goth's Twisted Delusions of Grandeur
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.

Detective Kazami (Kazuyoshi Ozawa) is on the trail of his target, a mysterious woman. His investigation leads him to a secluded mansion where he witnesses more than just a drug deal—he stumbles upon a brutal murder. The killer? An Asian man who effortlessly eliminates multiple yakuza in a flash. As Kazami delves deeper, he uncovers whispers of this enigmatic figure in Okubo. Their paths cross unexpectedly, and tension rises as they come face to face. A single gunshot pierces the man's shoulder, throwing them into chaos. With Kazami's help, the two narrowly escape. Thus begins the peculiar cohabitation of "the man who saw too much" and "the man who was seen."
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?