“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

Desperate to be financially stable enough to get their daughter back from Child Protective Services, two grifters try to con a lonely entrepreneur out of his Bitcoin fortune, but get in trouble when they find he is not who he claims to be.
Like most young people, Leviticus is imperfect. But I love it anyways.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.