‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

We have a button on our bodies. It erases the bad memories from us. Everything bad and embarassing. But it only shows to other people; those who have sincerity. Jeong-nam delivers imitation goods and not the real ones. Jin sells herself and not flowers. In an alley in front of the cleaner's, Jin is waiting for someone while counting. However, no one is coming. Jin watches Jeong-nam who asks her what time it is several times but she's as cold as ice towards him as if she's never seen him before. Jeong-nam had saved Jin from her pimp who was beating her up in the back alley but still there's awkwardness between them. Then one day, Jin finds Jeong-nam abandoned in a pile of trash after being beat up by his clients, so he takes him home and they start living together and go on trips despite their bad start. They dream of a new life for each other. Will they get the life they want?
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
If you’re looking for an engaging female-led film that touches on the genres of action, drama, and thriller, look no further than Le-Van Kiet’s "Furie".
'Blue Beetle' is another solid addition to the superhero film canon.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.