
Taped in New York City for the VH1 Storytellers show in April, 2001: Is intended to burnish the legacy of Idol's recently stalled career or, more likely, is an attempt to resuscitate it in time for the expected rising tide of '80s nostalgia. An intimate, largely acoustic outing co-helmed by longtime guitarist and songwriting partner Steve Stevens. ---Track Listings--- 1 Cradle Of Love 2 Don't Need A Gun 3 Flesh For Fantasy 4 White Wedding 5 Sweet Sixteen 6 To Be A Lover 7 Rebel Yell 8 Kiss Me Deadly 9 Eyes Without A Face 10 Dancing With Myself 11 Ready Steady Go 12 Blue Highway 13 Mony Mony 14 L.A. Woman
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.