In the forgotten district of Bilesuvar, South of Azerbaijan, some men and women are looking for something in their dimly enlightened lives. They want to tell us their wishes, their despairs and their fights. It's all about Bilesuvar's soul.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Korean Dramas deserve your attention and not just the ones on Netflix.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
